Native Tongue Percussion RhymStryker with RhymChik-Stainless Steel Jingles
The Native Tongue Percussion RhymStryker with RhymChik is an innovative method for a percussionist playing a hand drum to play a Chick” sound effect without having to hold a mallet in one hand, enabling them to maintain two handed drum patterns while integrating closed hi-hat type patterns and accents to create more versatile rhythmic patterns and voicings with their hand drumming.
The Native Tongue Percussion RhymStryker with RhymChik is an innovative method for a percussionist playing a hand drum to play a Chick” sound effect without having to hold a mallet in one hand, enabling them to maintain two handed drum patterns while integrating closed hi-hat type patterns and accents to create more versatile rhythmic patterns and voicings with their hand drumming. The RhymStryker with RhymChik mounts onto various mechanical and rope tuned rim types for African, Brazilian, and Cuban style hand drums. It will mount in any position around the rim with height adjustability for finger or palm play. The RhymStryker functions easily with padded striking surfaces for comfortable extended playing.
The Stainless-Steel Jingles have a finer staccato sizzle that is more subtle in the mix.
Brand
Native Tongue Percussion
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Native Tongue Percussion 7″ Maple RhymBlock with RhymClips
RhymBlock Features:
- Natural solid hardwood
- Projects a powerful natural woodblock tone
- Patented design for durability
- Optional Edge Guard included for striking edge wear & tear protection
- Shaped to symmetrically mount in any unobstructed position around a snare, tom, timbale, and hand drum rims, Ideal for rimshots, cross sticking, ghost noting, singular or interplay with the drum.
- Available in 6” high and 7” low tone maple hardwood.
Native Tongue Percussion RhymBlock Hand Drum Mounted Woodblock with RhymStryker
The Native Tongue Percussion RhymStryker with RhymBlock is an innovative method for a percussionist playing a hand drum to play a natural solid woodblock without having to hold a mallet in one hand, enabling them to maintain two handed drum patterns while integrating woodblock patterns and accents to create more versatile rhythmic patterns and voicings with their hand drumming.
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