Ahead – 10′ Double Sided Pad (Soft & Hard Rubber)
An economical, dual purpose pad that simulates a hard snare drum surface. Designed for marching and standard drumming.
Ahead – 10′ Single Sided Mounted Pad 8mm Thread
A portable pad that lets you work on your snare chops whenever and wherever you want. It can also be mounted onto an 8mm thread cymbal stand.
Ahead – 10′ Snare Pad With Snare Sound
A great, all-purpose pad that simulates the sound of a snare drum, while maintaining a quiet environment.
Ahead – 14′ Double Side Brush Pad
A dual purpose pad designed for drummers who want to work on Jazz and brush technique as well as all-purpose practice.
Ahead – 7′ Single Sided Mounted Pad 8mm Thread
A portable pad that lets you work on your snare chops whenever and wherever you want. It can also be mounted onto an 8mm thread cymbal stand.
Ahead – 8mm Practice Pad Stand
Designed to hold small, 8mm mount practice pads ranging from 6″ to 10″ in diameter.
Ahead 10″ Corp Pad with Snare Sound
A marching pad that simulates the sound of a snare drum, while maintaining a quiet environment. This pad can sit on a countertop or be used with a snare drum stand.
Ahead 10″ S-Hoop Practice Pad with Snare Sound – Chrome Hoop
• A chrome plated, steel S-Hoop that won’t crack
• Soft, black gum rubber pad surface provides a natural rebounding & response
• Snare sound, licensed under Patent # 6239340
• Soft, rubber, slip-resistant underside
• Realistic feel, rimshots, and cross-sticking
• Improves technique without ear damaging volume
Ahead 10″ S-Hoop Practice Pad with Snare Sound – Red Hoop
• A red powder-coated, steel S-Hoop that won’t crack
• Soft, black gum rubber pad surface provides a natural rebounding & response
• Snare sound, licensed under Patent # 6239340
• Soft, rubber, slip-resistant underside
• Realistic feel, rimshots, and cross-sticking
• Improves technique without ear damaging volume
Ahead 14″ 3 Zone Workout Practice Pad
An extremely versatile pad designed to build target accuracy and emphasize technical and musical development, while working on a full range of rebound and wrist techniques. This is a complete all-in-one portable practice tool that is the perfect companion for every style of drumming.
Ahead 14″ Black/Black S-Hoop Marching Pad With Snare Sound
A perfect practice companion for marching drummers. This pad offers a real counter hoop for rimshots and a built-in snare sound for authenticity and high-tension snare response.
Ahead 14″ Black/Chrome S-Hoop Marching Pad with Snare Sound (Black Carbon Fiber)
• ATTENTION: The carbon fiber surface will wear quickly when using Wood Tip Drumsticks. Nylon Tip
Drumsticks are highly recommended in extending the life of the carbon fiber surface
• Replaceable, black carbon fiber surface, with target impact pad for increased durability See AHSHPT
• A chrome plated, steel S-Hoop that won’t crack
• Snare sound, licensed under Patent # 6239340
• Soft, rubber, slip-resistant underside
• Realistic feel, rimshots, and cross-sticking
• Improves technique without ear damaging volume
Ahead 14″ Chavez Black/Black S-Hoop Marching Pad with Sound Chamber
A perfect practice companion for marching drummers. This pad offers a real counter hoop for rimshots and a built-in sound chamber for authenticity and high-tension response.
Ahead 14″ Double Sided Pad (Soft & Hard Rubber)
• Double sided pad w/soft, gray gum rubber on one side and a hard, black rubber on the other
• Carrying handle for convenience
• Realistic feel
• Improves technique without ear damaging volume
Ahead 14″ S-Hoop Marching Pad with Snare Sound (Black Carbon Fiber)
• ATTENTION: The carbon fiber surface will wear quickly when using Wood Tip Drumsticks. Nylon TipDrumsticks are highly recommended in extending the life of the carbon fiber surface
• Replaceable, black carbon fiber surface, with target impact pad for increased durability See AHSHPT
• A white powder-coated, steel S-Hoop that won’t crack
• Snare sound, licensed under Patent # 6239340
• Soft, rubber, slip-resistant underside
• Realistic feel, rimshots, and cross-sticking
• Improves technique without ear damaging volume